Religion
Cambodian religions are strongly
influenced by early Indian and Chinese cultures. As early as the beginning
of the Christian era, most Funan people were followers of Brahmanism
(a forerunner of Hinduism), which merged with the existing animistic
beliefs into a new religion - Hinduism and local deities existing
side by side.
Today almost 90 percent of the population is Theravada Buddhists and
the faith has had a formative influence on everyday life. Theravada
Buddhism entered the country in the 13th century and began to spread
through the whole country under King Jayavarman VII. It was reintroduced
as the national religion in 1989.
|
At
some point during their lives many Cambodian males spend time in a Buddhist
monastery, and almost every village has a Buddhist temple - or wat -
around which village life centers. Buddhist rituals follow the lunar
calendar and there are several significant religious holidays and festivals
that are widely observed. Cambodian Buddhism appears an easygoing faith
and tolerates the ancestor and territorial spirit worship that is widely
practiced.
|
|
People
Cambodia has a total of approximately 12 million people, 1.7 million
of whom live in the capital city of Phnom Penh. Cambodians comprise
a variety of people who are commonly called Khmer. They constitute about
90 percent of the population. The population also includes a diversity
of other ethnic backgrounds: Chinese, Viet-namese, Chams, and hilltribes,
called Khmer Loeu.
The
Khmer are believed to have lived in the region from about the 2nd century
AD. They constitute a fusion of Mongol and Melanesian elements and have
been mainly influenced over the centuries by the powerful Indian and
Javanese kingdoms. The Khmer-Loeu - or upland Khmer - are one of the
main tribal groups and live in the forested mountain zones, mainly in
the north-east.
Traditionally
the Khmer-Loeu were semi-nomadic and practiced slash and burn agriculture.
In recent years increasing numbers have turned to settled agriculture
and adopted many of the customs of the lowland Khmer.
|
Arts
and Architecture
The majority of Khmer art and architecture dates from the Angkor period.
All the surviving monuments are built of stone or brick, and all are
religious buildings. During the Angkor period architecture and its decoration
were governed by a series of mystical and religious beliefs. Common
motifs in Khmer sculpture are apsaras (celestial nymphs), which have
become a symbol of the Khmer culture. |
|
The apsaras are carved with splendidly ornate jewellery, clothed
in the latest Angkor fashion, and represent the ultimate ideal of feminine
beauty at that time. Other motifs are nagas (sacred aquatic snakes),
which play an important part in Hindu mythology and are possibly more
characteristic of South-East Asia than any other motif. Most of these
motifs have been taken from Indian art and have been modified into what
is now known as traditional Khmer art. Temples were designed to represent
the cosmic Mount Meru, the home of the gods of Indian cosmology, surrounded
by oceans.
Angkor
literally means ‘city’ or ‘capital’, Wat means
‘temple’. Angkor Wat is the largest and most famous of the
architectural masterpieces of Cambodia and probably the largest religious
building on earth. Conceived by Suryavarman II, Angkor Wat took an estimated
30 years to build and is generally believed to have been a funeral temple
for the king.
It
has been continuously occupied by monks and is well preserved. Intricate
bas-reliefs surround Angkor Wat on four sides, each telling a different
story. The most celebrated of these is ‘The Churning of the Ocean
of Milk’, which is located on the east wing. Again, the central
sanctuary of the temple complex represents Mt. Meru, the five towers
symbolize Meru's five peaks, and the enclosing wall represents the mountains
at the edge of the world, and the surrounding moat, the ocean beyond.
The symmetrical towers of Angkor Wat are stylized on the Cambodian flag
and have become a symbol of Khmer culture.
|
Manners
The usual Asian rules of conduct apply. It is unseemly to show too much
emotion. Losing your temper over problems and delays gets you nowhere;
it is better to stay calm at all times.
You
should always take your shoes off when entering a temple or when visiting
private houses, and you should wear appropriate clothing. For men and
women it is advisable to cover your shoulders and wear knee-long skirts
or trousers. Wearing bathing suits or trunks should be limited to the
beach or hotel pool.
The head is regarded as a particularly holy part of the body. You should
never touch anybody's head intentionally, and offer an excuse if you
do so by chance. Accordingly, the feet are literally the lowest part
of the body - do not point your feet at anybody.
Sensitivity
to politically related subjects in conversation is advisable. As
always, it is polite to ask permission before taking photographs of
Cambodians, particularly monks.
Although
there is not a strong tradition of tipping in Cambodia, tips will be
accepted and are very appreciated by tour guides, porters and wait staff
at hotels and restaurants. |
Dance
and Theatre
There is a strong tradition of dance in Cambodia, which has its origins
in the sacred dances of the apsaras, the mythological seductresses of
ancient Cambodia. Dance also became a religious tradition, designed
to bring the king and his people divine blessings. |
|
| During
the Angkor period classical ballet dancers were central to the royal
court. The dances are very symbolic, and are subject to a precise order,
a strict form, and a prescribed language of movements and gestures.
Folk dancing in Cambodia is less structured, with dancers responding
to the rhythm of drums. The dancers act out tales from Cambodian folk
stories; folk dancing can often be seen at local festivals.
Folk
plays and shadow plays (nang sbaek thom) are also a popular
form of entertainment in the countryside. They are based on stories
from the Ramayana, embroidered with local legends and the characters
are cut out of leather and often painted.
The
traditional orchestra consists of three xylophones; khom thom
(a horseshoe-shaped arrangement with 16 flat gongs); violins; wind instruments
including flutes, flageolets and a Khmer version of bagpipes; and drums
of different shapes and sizes. There are three types of drum: the hand
drum, the cha ayam drum and the yike drum. The drummer
has the most important role in folk music as he sets the rhythm. There
is no system of written notation so the tunes are transmitted orally
from generation to generation. |
| Holidays
and Festivals 2006 |
| January |
|
| 01/01/06 |
International
New Year's Day |
| 07/01/06 |
National
Day - Victory Day over Genocide |
| 29/01/06 |
Chinese
New Year |
| February
|
|
| Nil
|
|
| March |
|
| 08/03/06 |
International
Women’s Day |
| April |
|
| 14-16/04/2006 |
Cambodian
New Year/ Khmer New Year |
May
|
|
| 01/05/06 |
International
Labour Day
|
| 22/05/06 |
Visaka
Bochea Day - Public Holiday |
| 13-15/05/06 |
King
Sihamoni's Birthday |
| 16/05/06 |
Royal
Ploughing Ceremony
|
| June |
|
| 01/06/06 |
International
Childern's Day |
| 18/06/06 |
Queen’s
Birthday (Monineath Sihanouk’s Birthday) - Public Holiday
|
| September
|
|
| 24/09/06 |
Constitution
Day / King New Crown |
| 21-23/09/06 |
Pchum
Ben Festival |
| October
|
|
| 23/10/06 |
Paris
Peace Accord Day |
| 29/10/06 |
Coronation
Day of King Sihamoni |
30/10-01/11/06 |
King
Norodom Sihanouk’s Birthday - Public Holiday
|
| during
October to November |
Bon
Kathen Festival |
| November |
|
| 04-06/11/06 |
Water
Festival |
| 09/11/06 |
Independence
Day |
| 15-17/11/06 |
Bonn
Om Touk/ Water Festival - Public Holiday
|
| during
November to December |
Angkor
Festival |
| December |
|
10/12/06
|
United
National Human Rights Day |
|