Religion
Cambodian religions are strongly influenced by early Indian and Chinese cultures. As early as the beginning of the Christian era, most Funan people were followers of Brahmanism (a forerunner of Hinduism), which merged with the existing animistic beliefs into a new religion - Hinduism and local deities existing side by side.

Today almost 90 percent of the population is Theravada Buddhists and the faith has had a formative influence on everyday life. Theravada Buddhism entered the country in the 13th century and began to spread through the whole country under King Jayavarman VII. It was reintroduced as the national religion in 1989.

At some point during their lives many Cambodian males spend time in a Buddhist monastery, and almost every village has a Buddhist temple - or wat - around which village life centers. Buddhist rituals follow the lunar calendar and there are several significant religious holidays and festivals that are widely observed. Cambodian Buddhism appears an easygoing faith and tolerates the ancestor and territorial spirit worship that is widely practiced.

People
Cambodia has a total of approximately 12 million people, 1.7 million of whom live in the capital city of Phnom Penh. Cambodians comprise a variety of people who are commonly called Khmer. They constitute about 90 percent of the population. The population also includes a diversity of other ethnic backgrounds: Chinese, Viet-namese, Chams, and hilltribes, called Khmer Loeu.

The Khmer are believed to have lived in the region from about the 2nd century AD. They constitute a fusion of Mongol and Melanesian elements and have been mainly influenced over the centuries by the powerful Indian and Javanese kingdoms. The Khmer-Loeu - or upland Khmer - are one of the main tribal groups and live in the forested mountain zones, mainly in the north-east.

Traditionally the Khmer-Loeu were semi-nomadic and practiced slash and burn agriculture. In recent years increasing numbers have turned to settled agriculture and adopted many of the customs of the lowland Khmer.

Arts and Architecture
The majority of Khmer art and architecture dates from the Angkor period. All the surviving monuments are built of stone or brick, and all are religious buildings. During the Angkor period architecture and its decoration were governed by a series of mystical and religious beliefs. Common motifs in Khmer sculpture are apsaras (celestial nymphs), which have become a symbol of the Khmer culture.

The apsaras are carved with splendidly ornate jewellery, clothed in the latest Angkor fashion, and represent the ultimate ideal of feminine beauty at that time. Other motifs are nagas (sacred aquatic snakes), which play an important part in Hindu mythology and are possibly more characteristic of South-East Asia than any other motif. Most of these motifs have been taken from Indian art and have been modified into what is now known as traditional Khmer art. Temples were designed to represent the cosmic Mount Meru, the home of the gods of Indian cosmology, surrounded by oceans.

Angkor literally means ‘city’ or ‘capital’, Wat means ‘temple’. Angkor Wat is the largest and most famous of the architectural masterpieces of Cambodia and probably the largest religious building on earth. Conceived by Suryavarman II, Angkor Wat took an estimated 30 years to build and is generally believed to have been a funeral temple for the king.

It has been continuously occupied by monks and is well preserved. Intricate bas-reliefs surround Angkor Wat on four sides, each telling a different story. The most celebrated of these is ‘The Churning of the Ocean of Milk’, which is located on the east wing. Again, the central sanctuary of the temple complex represents Mt. Meru, the five towers symbolize Meru's five peaks, and the enclosing wall represents the mountains at the edge of the world, and the surrounding moat, the ocean beyond. The symmetrical towers of Angkor Wat are stylized on the Cambodian flag and have become a symbol of Khmer culture.

Manners
The usual Asian rules of conduct apply. It is unseemly to show too much emotion. Losing your temper over problems and delays gets you nowhere; it is better to stay calm at all times.

You should always take your shoes off when entering a temple or when visiting private houses, and you should wear appropriate clothing. For men and women it is advisable to cover your shoulders and wear knee-long skirts or trousers. Wearing bathing suits or trunks should be limited to the beach or hotel pool.
The head is regarded as a particularly holy part of the body. You should never touch anybody's head intentionally, and offer an excuse if you do so by chance. Accordingly, the feet are literally the lowest part of the body - do not point your feet at anybody.

Sensitivity to politically related subjects in conversation is advisable. As always, it is polite to ask permission before taking photographs of Cambodians, particularly monks.

Although there is not a strong tradition of tipping in Cambodia, tips will be accepted and are very appreciated by tour guides, porters and wait staff at hotels and restaurants.

Dance and Theatre
There is a strong tradition of dance in Cambodia, which has its origins in the sacred dances of the apsaras, the mythological seductresses of ancient Cambodia. Dance also became a religious tradition, designed to bring the king and his people divine blessings.

During the Angkor period classical ballet dancers were central to the royal court. The dances are very symbolic, and are subject to a precise order, a strict form, and a prescribed language of movements and gestures. Folk dancing in Cambodia is less structured, with dancers responding to the rhythm of drums. The dancers act out tales from Cambodian folk stories; folk dancing can often be seen at local festivals.

Folk plays and shadow plays (nang sbaek thom) are also a popular form of entertainment in the countryside. They are based on stories from the Ramayana, embroidered with local legends and the characters are cut out of leather and often painted.

The traditional orchestra consists of three xylophones; khom thom (a horseshoe-shaped arrangement with 16 flat gongs); violins; wind instruments including flutes, flageolets and a Khmer version of bagpipes; and drums of different shapes and sizes. There are three types of drum: the hand drum, the cha ayam drum and the yike drum. The drummer has the most important role in folk music as he sets the rhythm. There is no system of written notation so the tunes are transmitted orally from generation to generation.

Holidays and Festivals 2006 
January  
01/01/06 International New Year's Day
07/01/06 National Day - Victory Day over Genocide
29/01/06 Chinese New Year
February  
Nil  
March  
08/03/06 International Women’s Day
April  
14-16/04/2006 Cambodian New Year/ Khmer New Year
May

 

01/05/06

International Labour Day

22/05/06 Visaka Bochea Day - Public Holiday
13-15/05/06 King Sihamoni's Birthday
16/05/06

Royal Ploughing Ceremony

June  
01/06/06 International Childern's Day
18/06/06

Queen’s Birthday (Monineath Sihanouk’s Birthday) - Public Holiday

September  
24/09/06 Constitution Day / King New Crown
21-23/09/06 Pchum Ben Festival
October  
23/10/06 Paris Peace Accord Day
29/10/06 Coronation Day of King Sihamoni

30/10-01/11/06

King Norodom Sihanouk’s Birthday - Public Holiday

during October to November Bon Kathen Festival
November  
04-06/11/06 Water Festival
09/11/06 Independence Day
15-17/11/06

Bonn Om Touk/ Water Festival - Public Holiday

during November to December Angkor Festival
December  
10/12/06
United National Human Rights Day

 

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